My research during the last few days has taken me partly towards voronoi structures, looking at the possibilities that can be created from a defined set of points. Whether or not I’m going to head into this direction completely I’m currently unsure, but I am investigating how complexity can be integrated within the facade and structure of the project to provide a coherent architectural language. This is one method that could tie the systems together. I’m also looking at how a wooden structure could be created from sectioning across the site…

Over the past few days I’ve been working out the finer intricacies of my scheme with regards to the programmatic requirements and experimenting with the possibilities of 3DS max for creating a surface that is designed to maximise the localised effects of certain environmental conditions. I can now assign an amount of points to a surface to which it will respond (limited by computer processing power). These two models used five different points. My intention being that the shell for the workshops can be manipulated for the differing conditions of the interior environments and to maximise/ minimise sunlight potential. I’m currently working on the form of this.

I’ve also done a detailed study into the equipment that would be required for a prototyping workshop, using various precedents and looking at manufacturers. I hope to post an impression of my scheme here tomorrow, dependant on some intricacies of modelling I’m still wrestling with.

Here are some quick renders showing some of the experimentation that I’ve been doing over the last few days with regards to a creating a visual link between the language of the Institution and the workshops (created using grasshopper). To further this, I need to begin space planning the points at which such a surface will connect to columns, and explore different material properties. This will create a model which is much less superficial in its form.

This model builds upon the conceptual idea of treating the digital institution as a landmark for the underlying binary code of computers – with either an on/off function. The panels are assorted by random into two different types, something I shall be exploring further through massing and form over the next few days.

P.S. I have been unaware of different methods of inserting picture gallery’s into the blog but am going to investigate these other methods that Andy/George have been using.

I’ve been thinking about the kind of atmosphere and environment that I would like my fabrication studios to convey. The pictures here indicate a number of projects that work with the principles that I’m going to try and adopt.I’ve begun experimenting with Grasshopper to try and create such a computer model.

1. They are predominantly wood gridshell structures which would build upon the environmental aspects of such a scheme (locally sourced timber is possible from the Forest of Avon to Bristol)

2. They are naturally lit spaces which would provide for an appealing working environment for such machines.

3. There is the possibility of natural ventilation through opening up the lower sides of the structures.

Clockwise from the left: Saville Gardens by Glen Howells, Downland Gridshell by Edward Cullinan, Forestry Branch by Phillipe Samyn + Partners, Ville Hara by HUT Wood Studio Workshop.